Is there a web site that shows pictures of layouts of pottery studios?
sophie asked:
I am in the process of building a pottery studio and would like as much information as possible before all of my electrical, lighting, shelving, etc. are completed. I designed my studio floor plan, but on 2nd thought, would like suggestions from others who already have a studio and could advise me on things I might not have already considered which would be helpful.
I am in the process of building a pottery studio and would like as much information as possible before all of my electrical, lighting, shelving, etc. are completed. I designed my studio floor plan, but on 2nd thought, would like suggestions from others who already have a studio and could advise me on things I might not have already considered which would be helpful.
Home Trends – Dinnerware Ideas
Shahid Nazir asked:
Dinnerware patterns are commonly classified into one of these categories:
FINE CHINA: Gold Band, Platinum Band, Traditional, Contemporary and White
CASUAL CHINA: Pattern, Solid, White
EVERYDAY CHINA: Pattern, Solid, White
EVERYDAY DINNERWARE: Pattern, Solid, White
Types of DINNERWARE:
EARTHENWARE: The oldest form of dinnerware, Earthenware is made of refined clay which is fired at low temperatures making it permeable dinnerware. Most Earthenware is not microwave or dishwasher cautious, and it is very receptive to changes in temperature. While Earthenware looks severe and sturdy, it is actually very light and fragile.
STONEWARE: More stalwart than Earthenware, Stoneware is made of a more refined clay with fewer impurities, and since it is fired at upper temperatures than Earthenware, it is absorbent. While it is anti-flake, it can still fragment. Most Stoneware is dishwasher secure, and it can be microwave sound arrogant there is no metal, banding or decoration propose.
PORCELAIN: More lasting than Earthenware and Stoneware, Porcelain dinnerware is fired at the maximum temperatures to build a hard, permeable, glass-like ascend. Porcelain is dishwasher, range and microwave careful arrogant there is no metal banding or decoration offering. It is sometimes termed Fine China.
BONE CHINA: Bone China is in the same family as Porcelain yet is more translucent. It is considered the strongest and most stable form of dinnerware. Bone China looks fragile yet is actually entirely strong.
Selecting dinnerware could appear like an overwhelming means. Here are some stuff to keep in thoughts to make your mixture a relaxed one.
* Dinnerware is sold open livestock, by individual place venue or in boxed sets.
* Open sell is sold by the individual model. Sometimes sold as a mix and match collection; you can show from coordinating designs and insignia within the same guide.
* Fine China patterns or Bone China pattern are regularly sold in individual place settings. The most customary is a 5-portion place setting consisting of a feast plate, salad plate (or dessert plate), bread and butter plate, teacup and plate.
* Boxing sets are made up of manifold place settings. The most mutual are 20 and 16 sample sets which offer overhaul for 4. A 20 section set will enter four each of the banquet plate, salad plate, bread and butter plate (or soup bowl), teacup and plate. A 16 piece set will have a mug instead of the teacup and saucer.
Dinnerware patterns are commonly classified into one of these categories:
FINE CHINA: Gold Band, Platinum Band, Traditional, Contemporary and White
CASUAL CHINA: Pattern, Solid, White
EVERYDAY CHINA: Pattern, Solid, White
EVERYDAY DINNERWARE: Pattern, Solid, White
Types of DINNERWARE:
EARTHENWARE: The oldest form of dinnerware, Earthenware is made of refined clay which is fired at low temperatures making it permeable dinnerware. Most Earthenware is not microwave or dishwasher cautious, and it is very receptive to changes in temperature. While Earthenware looks severe and sturdy, it is actually very light and fragile.
STONEWARE: More stalwart than Earthenware, Stoneware is made of a more refined clay with fewer impurities, and since it is fired at upper temperatures than Earthenware, it is absorbent. While it is anti-flake, it can still fragment. Most Stoneware is dishwasher secure, and it can be microwave sound arrogant there is no metal, banding or decoration propose.
PORCELAIN: More lasting than Earthenware and Stoneware, Porcelain dinnerware is fired at the maximum temperatures to build a hard, permeable, glass-like ascend. Porcelain is dishwasher, range and microwave careful arrogant there is no metal banding or decoration offering. It is sometimes termed Fine China.
BONE CHINA: Bone China is in the same family as Porcelain yet is more translucent. It is considered the strongest and most stable form of dinnerware. Bone China looks fragile yet is actually entirely strong.
Selecting dinnerware could appear like an overwhelming means. Here are some stuff to keep in thoughts to make your mixture a relaxed one.
* Dinnerware is sold open livestock, by individual place venue or in boxed sets.
* Open sell is sold by the individual model. Sometimes sold as a mix and match collection; you can show from coordinating designs and insignia within the same guide.
* Fine China patterns or Bone China pattern are regularly sold in individual place settings. The most customary is a 5-portion place setting consisting of a feast plate, salad plate (or dessert plate), bread and butter plate, teacup and plate.
* Boxing sets are made up of manifold place settings. The most mutual are 20 and 16 sample sets which offer overhaul for 4. A 20 section set will enter four each of the banquet plate, salad plate, bread and butter plate (or soup bowl), teacup and plate. A 16 piece set will have a mug instead of the teacup and saucer.
The Right Wedding Reception Glasses and Dinnerware Make a Big Difference
Amy Spade asked:
Of all the things to worry about, why should you worry about the glasses and the dinnerware? Well, maybe it’s not that you should worry so much as you should make sure that you have everything that anyone could need.
Depends on the menu
If you’re having something that requires special utensils, you’ll have to factor that into your dinnerware plans. This sounds silly, but you truly have to understand that every detail will help your guests and you feel comfortable. You’ll be eating too, so that butter knife won’t go through your steak any easier than it will through your guest’s.
Most catering services will incorporate the correct utensils, but you may want to double check to be sure. This is especially true when you’re having a dish that is a little tricky to eat–meats, shelled seafood, etc. You want to make sure that your guests are completely comfortable and able to eat what they are served.
The same goes for drinks. You will want to have a water glass or goblet plus a champagne glass next to each place setting. If you are having a bar, then the additional glasses will be given by them. If there is wine and beer, then they can be served in the appropriate glassware.
If you’re doing it on your own
There’s nothing more frustrating than realizing that you haven’t planned for enough people. And when it comes to dinner ware and glassware, you need to rent more than you think that you do. You’ve certainly been at a party and set your glass down, lost it, and then grabbed a new one to replace it. This is the same situation, only there are a lot more people.
When you’re planning your own wedding and renting the dishes and flat ware, you want to plan for at least fifty more people than are coming. This gives you enough leeway should glasses get misplaced or lost.
Flat ware should also be ordered in bulk as it can easily drop on to the floor or be miscounted. When the supplies arrive, you want to count and recount everything to make sure that you have enough.
And in a pinch, you should have plastic glasses and cups ready, as well as flat ware. It’s not the prettiest sight, but when you have nothing else, it will have to do.
Of all the things to worry about, why should you worry about the glasses and the dinnerware? Well, maybe it’s not that you should worry so much as you should make sure that you have everything that anyone could need.
Depends on the menu
If you’re having something that requires special utensils, you’ll have to factor that into your dinnerware plans. This sounds silly, but you truly have to understand that every detail will help your guests and you feel comfortable. You’ll be eating too, so that butter knife won’t go through your steak any easier than it will through your guest’s.
Most catering services will incorporate the correct utensils, but you may want to double check to be sure. This is especially true when you’re having a dish that is a little tricky to eat–meats, shelled seafood, etc. You want to make sure that your guests are completely comfortable and able to eat what they are served.
The same goes for drinks. You will want to have a water glass or goblet plus a champagne glass next to each place setting. If you are having a bar, then the additional glasses will be given by them. If there is wine and beer, then they can be served in the appropriate glassware.
If you’re doing it on your own
There’s nothing more frustrating than realizing that you haven’t planned for enough people. And when it comes to dinner ware and glassware, you need to rent more than you think that you do. You’ve certainly been at a party and set your glass down, lost it, and then grabbed a new one to replace it. This is the same situation, only there are a lot more people.
When you’re planning your own wedding and renting the dishes and flat ware, you want to plan for at least fifty more people than are coming. This gives you enough leeway should glasses get misplaced or lost.
Flat ware should also be ordered in bulk as it can easily drop on to the floor or be miscounted. When the supplies arrive, you want to count and recount everything to make sure that you have enough.
And in a pinch, you should have plastic glasses and cups ready, as well as flat ware. It’s not the prettiest sight, but when you have nothing else, it will have to do.
Ancient Egyptian Pottery and History
Victor Epand asked:
The Egyptians created pottery beginning from primordial times. Even before the construction of pyramids, they were engaged in the making of pottery. The study of pottery sheds tremendous light on the pre dynastic era of ancient Egypt. Ancient Egyptians used pottery in the same manner we use plastic containers today. The studies of pottery material, expertise, and types have been a great supply of information for archaeologists to date sites in the absence of other sources of data. Early Egyptologists like Flinders Petrie used pot shards to discover chronological dates for pre dynastic eras. Pottery is also used to assist the study of trade and regional development in old Egypt.
Egypt in the pre dynastic period produced pottery of very high quality. During the Badarian period the potter’s wheel was not used and typically ladies prepared it. The upper segment was adorned in a radiant black color and the lower segment in deep red. The pottery was made by firing in open bone fires or archaic furnaces. From 40000 to 3000 BC. i.e. until the Dynastic era from the Naqada era, pottery was decorated with depictions of animals, humans, boats and various other patterns and symbols. It was during this period, that perhaps some of the greatest pottery was developed.
The potter’s wheel was not invented in Egypt until the Old Kingdom. It was only during this era that the potter’s wheel made its first appearance and started to be used for commercial purposes. The wheel was very simple, like a turn table in the beginning, but latter it advanced into a true potter’s wheel. The wheel was at first turned by hand, and later the kick wheel variety developed during the Ptolemaic epoch. At this time, there was an increase in the quantity of pottery produced. However the introduction of the potter’s wheel did not wipe out absolutely all the traditional forms of making pottery. For example, bread moulds were still often handmade
Egyptian pottery can be classified into two broad divisions depending upon the type of clay used in the manufacturing. It is an international classification system known as The Vienna System.
1. Pottery manufactured from Nile clay. It is also known as Nile silt ware. When it is fired it gets covered up with a red-brown color. Sometimes the pottery was decorated or painted in blue. It was mostly used for common everyday purposes. It was not used for decoration although during the New Kingdom, blue painted pottery appeared.
2. Pottery made from marl clay. It was made from material found in the region of Quena in Upper Egypt. This pottery was superior to the Nile silt ware. It was sometimes polished leaving a lustrous surface. It was used for decorative purposes as well as for other functions. However, the actual glazed pottery appeared only during roman times.
One can further make a classification of Egyptian pottery with the examination of additives in the basic fabric of the pottery, as well as an analysis of the natural impurities present in the clay.
The Egyptians created pottery beginning from primordial times. Even before the construction of pyramids, they were engaged in the making of pottery. The study of pottery sheds tremendous light on the pre dynastic era of ancient Egypt. Ancient Egyptians used pottery in the same manner we use plastic containers today. The studies of pottery material, expertise, and types have been a great supply of information for archaeologists to date sites in the absence of other sources of data. Early Egyptologists like Flinders Petrie used pot shards to discover chronological dates for pre dynastic eras. Pottery is also used to assist the study of trade and regional development in old Egypt.
Egypt in the pre dynastic period produced pottery of very high quality. During the Badarian period the potter’s wheel was not used and typically ladies prepared it. The upper segment was adorned in a radiant black color and the lower segment in deep red. The pottery was made by firing in open bone fires or archaic furnaces. From 40000 to 3000 BC. i.e. until the Dynastic era from the Naqada era, pottery was decorated with depictions of animals, humans, boats and various other patterns and symbols. It was during this period, that perhaps some of the greatest pottery was developed.
The potter’s wheel was not invented in Egypt until the Old Kingdom. It was only during this era that the potter’s wheel made its first appearance and started to be used for commercial purposes. The wheel was very simple, like a turn table in the beginning, but latter it advanced into a true potter’s wheel. The wheel was at first turned by hand, and later the kick wheel variety developed during the Ptolemaic epoch. At this time, there was an increase in the quantity of pottery produced. However the introduction of the potter’s wheel did not wipe out absolutely all the traditional forms of making pottery. For example, bread moulds were still often handmade
Egyptian pottery can be classified into two broad divisions depending upon the type of clay used in the manufacturing. It is an international classification system known as The Vienna System.
1. Pottery manufactured from Nile clay. It is also known as Nile silt ware. When it is fired it gets covered up with a red-brown color. Sometimes the pottery was decorated or painted in blue. It was mostly used for common everyday purposes. It was not used for decoration although during the New Kingdom, blue painted pottery appeared.
2. Pottery made from marl clay. It was made from material found in the region of Quena in Upper Egypt. This pottery was superior to the Nile silt ware. It was sometimes polished leaving a lustrous surface. It was used for decorative purposes as well as for other functions. However, the actual glazed pottery appeared only during roman times.
One can further make a classification of Egyptian pottery with the examination of additives in the basic fabric of the pottery, as well as an analysis of the natural impurities present in the clay.
Where can I get my own artwork printed on dinnerware?
Mery asked:
I’m getting married and I can’t find dinnerware that really makes me go “wow, that’s it!”. I Keep finding sites that will print your logo on plates, but I would like a simple design that I made printed across the entire plate. Where on earth do I start looking for a company that offers this service? Thanks for any help!
I’m getting married and I can’t find dinnerware that really makes me go “wow, that’s it!”. I Keep finding sites that will print your logo on plates, but I would like a simple design that I made printed across the entire plate. Where on earth do I start looking for a company that offers this service? Thanks for any help!
Present Value of Lottery Payments
Eddie Tobey asked:
Every year thousands of lottery winners convert their future lottery payments into present money. The value of your future lottery payments will considerably depreciate over the traditional payoff schedule of 20-25 years. Often, recipients of lottery payments receive less than the amount offered by state lotteries. The calculation of present value of lottery payments is done by many personal representative guidance services.
The concept of present value is important in the field of corporate finance, banking, and insurance. Present value is the value today of an amount of money in to be received in future. Mathematically, it is equal to the sum of payments at a given a particular interest rate. It is essential to know the present value of lottery payments for selling or buying them.
There are certain court rules on how to determine the worth of future lottery payments. The value of future lottery payment is calculated under section 7520 tables. Several tax courts have emphasized the need for valuation of future lottery payments using annuity tables.
The following example will illustrate what actually a present value of lottery payment is. A state government in the U.S. advertises that one of its lottery prizes is $1 million (the face value.) But that advertised amount is not the actual value of the prize. In its place, the government offers to pay $50,000 a year for twenty years, on a discount rate of 10%. After receiving the first payment, if you did calculations for each of the other 20 years of payments, you would see that the present value of your entire 20-year stream of lottery payments is only about $468,246. Present value of lottery payments are based on the idea of compound interest in reverse.
Every year thousands of lottery winners convert their future lottery payments into present money. The value of your future lottery payments will considerably depreciate over the traditional payoff schedule of 20-25 years. Often, recipients of lottery payments receive less than the amount offered by state lotteries. The calculation of present value of lottery payments is done by many personal representative guidance services.
The concept of present value is important in the field of corporate finance, banking, and insurance. Present value is the value today of an amount of money in to be received in future. Mathematically, it is equal to the sum of payments at a given a particular interest rate. It is essential to know the present value of lottery payments for selling or buying them.
There are certain court rules on how to determine the worth of future lottery payments. The value of future lottery payment is calculated under section 7520 tables. Several tax courts have emphasized the need for valuation of future lottery payments using annuity tables.
The following example will illustrate what actually a present value of lottery payment is. A state government in the U.S. advertises that one of its lottery prizes is $1 million (the face value.) But that advertised amount is not the actual value of the prize. In its place, the government offers to pay $50,000 a year for twenty years, on a discount rate of 10%. After receiving the first payment, if you did calculations for each of the other 20 years of payments, you would see that the present value of your entire 20-year stream of lottery payments is only about $468,246. Present value of lottery payments are based on the idea of compound interest in reverse.
How much do chips and cracks really detract from the value of a collectible piece of pottery or glassware?
debodun asked:
For example, Roseville pottery or Carnival glass? I have a green glass ice bucket with a Heisey mark on the bottom. It had an almost microscopic “flake” on the top edge and to hear antique dealers and collectors moan about it making the item virtually worthless. Is this true, or are they just looking to get things for an exceptional bargain?
For example, Roseville pottery or Carnival glass? I have a green glass ice bucket with a Heisey mark on the bottom. It had an almost microscopic “flake” on the top edge and to hear antique dealers and collectors moan about it making the item virtually worthless. Is this true, or are they just looking to get things for an exceptional bargain?
The Truth About Tuscan Dinnerware
Yoga Priyakara asked:
When was the last time you saw style and substance walk arm in arm? May be when you looked at Tuscan dinnerware in rapt attention. The electrifying, sizzling chemistry between stylish elegance and rustic charm injects a dose of freshness to all things alive and inanimate. Suddenly, dinner table conversations have become all the more animated.
Oozing Elegance From Every Quarter
The massive assortment of cups, saucers, dinner plates and bowls has the amazing alacrity to leave just about any eye-candy addict completely breathless. And versatility seems to be their middle-name. They can be remarkably classy and exceptionally casual, all at the same time. But the exclusivity and elegance is simply unmistakable and unparalleled.
The Range Is Mind-Boggling
Forget Italian food, the scintillating array of dinnerware can set your pulses racing and your mouth watering. There are hand-painted fruit bowls, dinner sets, sugar bowls and creamers, large serving bowls, spoon rests, soup, cereal and pasta bowls, salad plates, oil jars and bread/toast jars, among many others to make a delectable choice from.
More Than Just Style
So is this sinful collection of Italian styled dinnerware only meant to up the glam quotient during meal times? Well, thankfully there’s a lot more that you are given on a platter. The quality is par excellence, and manages to weather many a storm, both in the dishwasher and the microwave.
The color palette is absolutely awesome. The rich, vibrant hues etched to perfection in these conversation pieces are the stuff that fantasies are made of. Weapons of mass distraction, did we hear? Well, you’re absolutely right, especially since they blend with just about any kind of d
When was the last time you saw style and substance walk arm in arm? May be when you looked at Tuscan dinnerware in rapt attention. The electrifying, sizzling chemistry between stylish elegance and rustic charm injects a dose of freshness to all things alive and inanimate. Suddenly, dinner table conversations have become all the more animated.
Oozing Elegance From Every Quarter
The massive assortment of cups, saucers, dinner plates and bowls has the amazing alacrity to leave just about any eye-candy addict completely breathless. And versatility seems to be their middle-name. They can be remarkably classy and exceptionally casual, all at the same time. But the exclusivity and elegance is simply unmistakable and unparalleled.
The Range Is Mind-Boggling
Forget Italian food, the scintillating array of dinnerware can set your pulses racing and your mouth watering. There are hand-painted fruit bowls, dinner sets, sugar bowls and creamers, large serving bowls, spoon rests, soup, cereal and pasta bowls, salad plates, oil jars and bread/toast jars, among many others to make a delectable choice from.
More Than Just Style
So is this sinful collection of Italian styled dinnerware only meant to up the glam quotient during meal times? Well, thankfully there’s a lot more that you are given on a platter. The quality is par excellence, and manages to weather many a storm, both in the dishwasher and the microwave.
The color palette is absolutely awesome. The rich, vibrant hues etched to perfection in these conversation pieces are the stuff that fantasies are made of. Weapons of mass distraction, did we hear? Well, you’re absolutely right, especially since they blend with just about any kind of d
Mexican Clay Pottery
Alice Lane asked:
Mexico has an ancient and rich tradition of ceramic ware. Archeological finds from thousands of years ago have inspired modern Mexican potters to create ceramics which are very similar in form and adornment to those created by ancient artisans. For example, the ceramic style of the city of Oaxaca is quite distinctive, and has a tradition of its own. The “barro negro” black clays of this region make for the production of black pottery sometimes embellished with nail hole filler which is then hand-painted with original designs.
Talavera ceramics represent a Majolica technique, and are perhaps the best known of all Mexican ceramics types. This style was imported from Spain, and thus has strong Arabian influence in it. The clay used in Talavera pottery is always made by mixing two different clays which are molded together on a potters wheel. At the present time the city of Puebla is the largest producer of these ceramics, but Talavera ceramics are also common in San Miguel de Allende, Dolores Hidalgo, and Guanajuato. The key feature which distinguishes Talavera ceramics is that they are produced in two firings. First a piece is glazed with tin glaze and fired and the second firing is done with a lead glaze.
Casas Grandes Mexican clay pottery was developed in Paquime in the northern section of Mexico about a thousand years ago. This ceramic style is relatively crude, and is admired more for its utility than its extermal beauty. Casas Grandes designs which are based on patterns of leaves, birds, and other natural objects have undergone drastic changes over the centuries. Today the Casa Grandes ceramics show influences from Spain and even Italy and Arabia.
The designs of modern Mata Ortiz pottery supply are based upon the Casas Grandes style with its high shine, and are considered to be some of the finest ceramic pieces in the world. Mata Ortiz pottery was originated by Juan Quezada, who perfected traditional designs based upon ancient shards which he collected in the area of Casas Grandes. Quezada set out to reconstruct the method of the ancients by using the raw clay of the area, making paints from locally-dug minerals, and reproducing the original firing formula. These ceramics are earthen or porcelain pots which are hand-painted with characteristic lines and curves on varied backgrounds reminiscent of the Mimbreno style. These pots are made by the traditional technique of coiling and even the firing is carried out by traditional pit-firing rather than in kilns. The ceramics are then painted with luminous paints and are highly polished. The Mata Ortiz style became popular in the 1970’s and the market for these ceramics has taken off. Hundreds of artisans in the region have resurrected these ancient pottery-making methods to create pieces exhibited in museums throughout the world.
Mexico has an ancient and rich tradition of ceramic ware. Archeological finds from thousands of years ago have inspired modern Mexican potters to create ceramics which are very similar in form and adornment to those created by ancient artisans. For example, the ceramic style of the city of Oaxaca is quite distinctive, and has a tradition of its own. The “barro negro” black clays of this region make for the production of black pottery sometimes embellished with nail hole filler which is then hand-painted with original designs.
Talavera ceramics represent a Majolica technique, and are perhaps the best known of all Mexican ceramics types. This style was imported from Spain, and thus has strong Arabian influence in it. The clay used in Talavera pottery is always made by mixing two different clays which are molded together on a potters wheel. At the present time the city of Puebla is the largest producer of these ceramics, but Talavera ceramics are also common in San Miguel de Allende, Dolores Hidalgo, and Guanajuato. The key feature which distinguishes Talavera ceramics is that they are produced in two firings. First a piece is glazed with tin glaze and fired and the second firing is done with a lead glaze.
Casas Grandes Mexican clay pottery was developed in Paquime in the northern section of Mexico about a thousand years ago. This ceramic style is relatively crude, and is admired more for its utility than its extermal beauty. Casas Grandes designs which are based on patterns of leaves, birds, and other natural objects have undergone drastic changes over the centuries. Today the Casa Grandes ceramics show influences from Spain and even Italy and Arabia.
The designs of modern Mata Ortiz pottery supply are based upon the Casas Grandes style with its high shine, and are considered to be some of the finest ceramic pieces in the world. Mata Ortiz pottery was originated by Juan Quezada, who perfected traditional designs based upon ancient shards which he collected in the area of Casas Grandes. Quezada set out to reconstruct the method of the ancients by using the raw clay of the area, making paints from locally-dug minerals, and reproducing the original firing formula. These ceramics are earthen or porcelain pots which are hand-painted with characteristic lines and curves on varied backgrounds reminiscent of the Mimbreno style. These pots are made by the traditional technique of coiling and even the firing is carried out by traditional pit-firing rather than in kilns. The ceramics are then painted with luminous paints and are highly polished. The Mata Ortiz style became popular in the 1970’s and the market for these ceramics has taken off. Hundreds of artisans in the region have resurrected these ancient pottery-making methods to create pieces exhibited in museums throughout the world.
The Pottery of Mata Ortiz – Juan Quezada Revives The Art Of The Ancients
Elisa Thorp asked:
High in the Sierras’ Casas Grandes Valley of the northern state of Chihuahua, Mexico, lies the once sleepy village of Mata Ortiz. Sleeping no longer, thanks to the artist Juan Quezada, Mata Ortiz has exploded onto the modern art world as the Artistic Cultural Center of Mexico.
Over 40 years ago, while searching for firewood, the child Juan began collecting and studying prehistoric pueblo pottery shards he would find wile on his searches. The shards were remnants of the ancient civilization of Paquim
High in the Sierras’ Casas Grandes Valley of the northern state of Chihuahua, Mexico, lies the once sleepy village of Mata Ortiz. Sleeping no longer, thanks to the artist Juan Quezada, Mata Ortiz has exploded onto the modern art world as the Artistic Cultural Center of Mexico.
Over 40 years ago, while searching for firewood, the child Juan began collecting and studying prehistoric pueblo pottery shards he would find wile on his searches. The shards were remnants of the ancient civilization of Paquim
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